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/ ARTRAKER, 2014



/ This Award is supported by a/political



Mirror Image

Artraker Award for Innovation in Narrative, 2014, Supported by a/political


© Artraker CIC 2014


I¹m going back home. My father's still there, he's a doctor. In the beginning we started treating the wounded. We had to defend ourselves.

I went out in the morning to catch a microbus. Somebody started shooting from a rooftop. Everybody was killed except me. I was newly wed. My husband, who is in the army, came to visit me in hospital. When he saw the state I was in he divorced me.

Driven by the need to respond to the Syrian suffering, we realised our project, with displaced Syrians in Jordan. Our project does not take sides, we oppose all forms of armed conflict.


Our goals were trauma relief and documentation. We worked with wounded adults, and refugee children. Making a linocut means beginning with a black, negative, void, rather than a white sheet. Most refugees are destabilised by the feeling of having had the ground removed from under their feet. Revealing an image by cutting into a solid material is an act that gives a sense of empowerment.


Their gradual discovery of the technique enabled us to form intimate relationships. With growing trust each began to reveal their story. Struggling to master a craft, they were inadvertently transported home, back to a lost world. By giving their loss a form, this helped combat the feeling of being a faceless number within a humanitarian disaster.

Since 2006 she has maintained two studios in the historic centre of Damascus where she does her own work, and has organised workshops and discussion groups with local artists. Most of Nora's work is on paper and using water based mediums. She has always been interested in the portrait, mostly of imaginary or remembered faces. From 2011 the upheavals in Syria had a profound effect on her work and she struggled to find the adequate means to respond to the pain she was witnessing around her.


"Mirror-Image" is Nora and Fritz' working title for projects dealing with the relationship between the Orient and Occident. "Cutting away the Void" is their first joint art venture designed to help victims of the war in Syria.

Cutting Away the Void - Hafer al Farargh,

Linocut prints on paper -


Portraits of Amman's Syrian refugees, followed by workshops for the children of the refugee community.